Movies: Michael Brynntrup
- 1993
Schramm (1993)
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Lothar Schramm is a simple man with complex problems, yet he seems like such a nice guy. He works as a taxi driver and lives by himself where he is happy to answer his door to strangers and kill them outright. As with many shy loner types he has a pr...
- 2005
Fucking Different (2005)
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Lesbian filmmakers from Berlin were asked to make a short film about their idea of male gay love and sexuality and, vice versa, gay men were given the task of making a short film about lesbian sexuality and eroticism....
- 1986
Jesus – The Film (1986)
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The joint high mess of 80s German underground: An exercise in exquisite corps (and in some cases probably also automatic writing) for which artists from both nations shot episodes from the Good Book - not necessarily following the text too closely....
- 1993
Plötzlich und unerwartet - eine Déjà-Revue (1993)
Plötzlich und unerwartet - eine Déjà-Revue01993HD
A short film by the German experimental filmmaker Michael Brynntrup from 1993. The film describes a surrealistic and absurd cycle of activities in a hermetically sealed cemetery from which the actors cannot break out....
- 1990
Narcissus & Echo (1990)
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A film in the form of a riddle is a special kind of entertainment film whereby the film's content must be deduced from the film's formal structure....
- 2002
Achtung (2002)
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Takes a close look at the surface of the human body. Photographed over the course of eight years, the film shows six men and one pregnant woman who… all exhibit their tattoos, piercings and scars. With spiritual concentration, a young man begins to a...
- 1993
All You Can Eat (1993)
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Safe sex in the 70ies. Bigger than life in 35mm. All you can eat in 5 minutes....
- 1990
Testosteron (TM VV I - HomoVersion) (1990)
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Homosexuality is inherited, and comes from the stress caused by metabolic disturbances in the mother's body. (Hormone Scientist Prof. Günther Dörner, 1990) Homosexuality is curable. Thanks a lot....
- 2006
The Ovo (2006)
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It's not about how a drag queen moves, it's what she sets in motion....
- 2004
Blue Box Blues (Staging a Photo Shoot) (2004)
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Captures the violence and tenderness, alongside the dominance and submission, that is found in a single, intimate embrace....
- 1991
Love, Jealousy and Revenge (1991)
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Explores the mobile meanings of language in film with the help of sophisticated telecommunications; an aural/oral offering....
- 1995
Aide Mémoire (1995)
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Photographer Jürgen Baldiga (1959-1993) and filmmaker Michael Brynntrup, - privat discourses and personal investigations of how to deal with images of life and death....
- 1989
NE VV II (Narziss und Echo VideoVersion) (1989)
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"Do you really think I give you a chance at me?" - Practice Film for ZDF....
- 1992
Vorsorge (1992)
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For better or for worse... Provisions, while things are still working. (first TV commercial for a german undertaker)...
- 1969
The Ivory Elephant (1969)
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A catalogue of psychodramatic rituals, a series of theme and variations Bach might have named The Art of the Skull. Photographed entirely in super-8, each figures a single performer, a skull, and a specific arena of interaction....
- 1969
Kein Film (1969)
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Rhythm in the age of its digital producability - an oscilloscope loosely based on Eadweard Muybridge....
- 2002
E.K.G.1.0.1 (ein Selbstportrait in öffentlichen und künstlerischen Medien) (2002)
E.K.G.1.0.1 (ein Selbstportrait in öffentlichen und künstlerischen Medien)02002HD
Immanuel Kant Hospital in Neukölln, Berlin. Midnight. A patient is being admitted. TV journalists are on the spot. The beginning of a story that tells itself....
- 1999
NY 'NY'n why not (1999)
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WALK / DON'T WALK / WALK. The rhythm of the nineties. A tribute to the vital New York drag scene and the "electronic" 90's that is also a remembrance of the Christopher Street queer revolt 30 years ago....
- 1998
Tabu V (About Which One Cannot Speak) (1998)
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About which one cannot speak, one must make films. (loosely based on Ludwig Wittgenstein)...
- 1996
Loverfilm - eine unkontrollierte Freisetzung von Information (1996)
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This film is based upon true occurrences. Any resemblance to individuals, dead or alive, is not only intentional, but unavoidable. - Excerpts from my Diary and the relevant books of German law....